Last semester I was commissioned to illustrate the Acceptance Package for Ringling College of Art & Design. I had the opportunity to work with graphic designer, Olivia Strohm, a recent 2017 Ringling graduate. She envisioned the package concept and theme, which was to have each item in the package - the box, envelope, lanyard, cloisonné pin, poster, sketchbook and pencil case - illustrated with just black lines so that students can color them in.
While coming up with a concept for what to illustrate, I decided to take inspiration from Florida's unique landscape and animals. I remember when I first moved to Florida, I was awestruck by the beautiful clouds. There may not be any mountains in Florida, but there are mountains made of clouds! And they are epic and beautiful (yes I am a proud member of the Cloud Appreciation Society ;)
Florida is also unique because of the alligators, manatees, iguanas, wading birds, etc. These creatures are so fascinating to see in the wild, and make great subject matter.
Below are a few sketches and the final line drawings:
I also went through several versions of the poster and really love the way it turned out:
Thanks for reading!
Thursday, February 9, 2017
2017 is off to a great start with SCBWI conferences! I just returned from the regional conference in Miami, and will be attending the NYC conference for the first time in February!
I'm posting a few of my sketchbook pages which contain the inspirational tidbits that keep me going. I was so inspired by Jane Yolen. Not only is she creatively prolific, she's also a wonderful speaker. She shared a lot of wisdom on writing and life.
I also enjoyed listening to illustrator, Mark Teague, talk about where he finds inspiration, and how he approaches an assignment. It was exciting to get a sneak peak at his new book, which is a creative spin on Jack and the Beanstalk.
Lastly, Jacquelyn Mitchard gave a fascinating keynote on book titles. I think out of ALL the SCBWI conferences I've been to, this was the first talk given on the subject. Considering how important titles are, one would think it would be talked about a lot. She noted that many many books drew inspiration from the Bible. She shared how many titles also underwent last-minute title changes before being published.
Somehow I had a lucky streak at this conference. I won the early bird registration draw and got a free portfolio critique. Then, for the Saturday night ball (themed "Kid-Lit Rockstar") I dressed up as Joan Jett because I love rock and roll. There were two other conference attendees also dressed as Joan Jett, so together we strutted our stuff for the judges and ended up winning the costume contest! So that was another free portfolio critique ;) Then lastly, I won second place for the Rising Kite Illustration contest (image below). The contest consisted of illustration the prompt, "Finally, Ping kept up with the other". My idea was inspired by a recent trip to Montana, where I spotted a few mountain goats who unknowingly became my muses.
Thanks for visiting my blog and reading!
Sunday, August 7, 2016
The SCBWI LA conference this year was held at the beautiful Biltmore hotel, and I was able to attend this summer. It's ALWAYS such an inspiring and overwhelming experience. Totally worth the time and effort, especially considering that my creative soul is overflowing yet again with ideas and excitement.
I'd like to touch on just a few things that stood out to me this year, and then offer links to two other great blogs about the conference.
My favorite keynote speakers were Drew Daywalt, Jon Klassen, Pam Munoz Ryan, and Sophie Blackall. WOW. They were raw, funny, and so very encouraging in their words and ways of approaching this creative pursuit of making children's books. I think these might be the most inspiring line up of speakers that I connected with personally out of all the conferences I've been to.
Drew Daywalt noted that one has to be vulnerable (the title of his speech was "Does this Keynote Make My Butt Look Big?") He encouraged us to "capture our own essence" by exploring what shaped us as kids. A great place to start looking for material!
Jon Klassen, speaking about Finding One's Voice, said to not think about yourself and what you want when making work. Rather, engage in a process of elimination of all the things you don't want in your work (things that don't resonate or inspire you). Chop off these things you don't want, and what's left is you. It's a task of intuition. And as you grow and continue to learn, ask yourself what you can create really well with your current skill level. For example, Maurice Sendak didn't like drawing horses because he wasn't very good at it, but this didn't stop him even though his book dummy was titled, "Where the Wild Horses Are". Instead, he chopped them out and the book became "Where the Wild Things Are."
Pam Munoz Ryan divulged some dark secrets, confessions rather, that we could all relate to (I think...if we're all human that is). Confessions such as the fact that she doesn't write every day, she still takes criticism personal, that the work never gets easier, and that she has no muse. What a relief! And I thought I was the only one...
Sophie Blackall nearly made me cry. She was great! I think it partially was due to the charm of her Australian accent, and the fact she's a great storyteller, and had excellent quotes, and sometimes ponders strange things like I often do. Who knows, except that I really connected with her keynote and feel incredibly inspired to look at life in a whole new way, as well as to continue looking at life the way I do now. The main takeaway was this: creativity is like a sourdough starter - it must be fed and used and given away in order to keep it going. Also, my favorite quote from her is this: "when an object inspires awe, buy it!" She shared with us her very odd curiosity cabinet of items that she had purchased. I am definitely going to pay more attention to what captures my wonder! Hopefully I won't be spending too much money while at it.
Here are two other blogs I recommend checking out. My fellow illustrator friend and conference buddy, Lauren Gallegos, and her overview of the conference:
And of course, the *Official* SCBWI conference blog
Thanks for reading!
Monday, August 1, 2016
Kathy Temean invited me to be the featured for July 23rd's "Illustrator Saturday"! If you're interested in reading a short interview about my process, please check out her blog! (check out her blog regardless...there's a lot of good stuff on there.)
Thanks again, Kathy! :)
Thanks again, Kathy! :)
Wednesday, July 27, 2016
While it was not the ideal event for meeting Art Directors, it was an excellent event for research and development of various publishers around the world. It opened my eyes to new opportunities I never would have even known existed.
There are several other blog posts from other illustrators who attended (be sure to check them out!) and I took their advice on what to bring and what to go do/see. Here's what was in my daybag:
- 3 posters (11x14) a role of duct tape (scotch tape would have worked just fine but I wasn't sure so I went all out)
- a stack of publications to pass out on behalf of Ringling College of Art and Design
- a spiral-bound 8.5x11 portfolio of my work (about 15 images, both color and black and white)
- a stack of promotional postcards to pass out (I brought 100 total but only took about 25 per day with me to lighten the load
- my sketchbook and pencil case
- water bottle
I had read on other blogs about the "Illustrator's Wall" which are several white walls designated for artists to hang promotional posters, postcards, etc. Everyone said it fills up fast so I got there right on time on opening day. I made it to the wall about 20 minutes later and sure enough, it was getting crowded quickly.
I found a nice spot for one of my posters. However, much to my surprise and disappointment, someone took down my poster and put theirs up instead the very next day!!! :( Luckily I brought two more posters and put them on other walls and nobody touched those. In the picture below, my poster is the portrait of the girl with smoke billowing across her face.
One really cool highlight of journeying to Bologna was getting to meet people from all over the world. I actually got to meet up with a fellow illustrator, Constanze von Kitzing, http://www.constanzevonkitzing.de who is also represented by my agent Christy Ewers at CATugeau. She is from Germany and signed on with CATugeau to represent her in the US. Constanze goes to the Fair almost every year since it's not too far away. She spoke on a panel this time, discussing the topic of working across borders. It was fascinating to hear how she and other artists became international illustrators. It really opened my mind up to the same possibility, and the relative ease of making it happen.
|Constanze and other illustrators discussing their perspective on being an international illustrator.|
I found the SCBWI booth and said hi to international coordinators Chris Cheng and Susan Eaddy of Team Bologna!
I think one of the best things about Bologna was meeting other attendees! I ran into a lot of really cool illustrators, editors, rights managers, and publishers everywhere I went - on the bus, standing in line for gelato, sitting at a restaurant, at the airport, just walking down the street. It's as though the city of Bologna is taken over by children's book fanatics for 4 full days. Here are two fabulous illustrators I had the privilege of meeting: Sara Alunno from Italy and Mickey Lam from the UK. Check out Mickey's work at http://illustratorlam.com and Sara's work at www.carciofocontento.com
Germany was the featured country at the Fair this year. Several German illustrators were showcased - one of whom was Torben Kuhlmann ( http://www.torben-kuhlmann.com). He illustrated the beautiful book Lindbergh: The Tale of a Flying Mouse, and Moletown. It was such a treat to see his original work - simply stunning! I noticed that nearly all of the 20 or so German illustrators worked traditionally (including Constanze!) and a lot of the work has a textural rawness which I found very appealing. Out of all the aesthetic themes from each country, I personally was drawn to German artwork for these reasons.
The Fair also had a new hall this year for licensing. Amidst the big corporations, there were a few booths featuring entrepreneurs such as Fran Bravo from Spain. He had an amazing and fun collection merchandise, along with a lot of good advice on branding and self-promotion. Check out his work and learn more at http://www.franbravo.com.
Another amazing illustrator I met was Andre Martini. He is very prolific (as you can see from this sketchbook page, he fills up every single page front and back with tons of pen and ink sketches). You can see more of his work here: http://andremartini.net/home
In my experience, the Bologna Fair was great for meeting fellow artists and connecting with creative people from around the world who are passionate about children's books. It made me feel like a citizen of the world. However, the fair also had a way of making me feel incredibly bummed out. Why? Because nearly ALL of the publishers are not there to talk to illustrators. They are there to buy and sell international rights to books. Weeks before the trip, my agent and I tried to make appointments with editors but their schedules were already booked and later I found out that some of them weren't even there. So I ended up walking the long hallways, feeling desperate for someone to look at my portfolio or let me leave behind a postcard. Sometimes there were signs that said "please do not disturb", and if you loitered they would just ignore you. SO that sucked, especially on the first day. But by the second day I started to figure out a game plan.
|This was a common sight - people doing business at little desks, not really interested in talking to artists.|
|Please do not disturb.|
My game plan consisted of the following:
- Identify which booths displayed books that look like they would be a good fit with my style, and circle them on the map for future targeting.
- Many of the larger publishing houses had mega-booths, like Penguin Random House, and they would have a receptionist person sitting at the front. I would ask this person if anyone was available to look at my portfolio. If no one was available (which was most of the time), I'd ask if I could leave behind a postcard. Almost all of them said YES, with the exception of maybe two publishers who didn't want any kind of solicitation whatsoever. I would then make a note of who I left a postcard with.
- Nearly every publisher was giving away a free catalog, so I made sure to take one. I must have collected 50 pounds of catalogs in 4 days (luckily I had a lot of room left over in my suitcase). The catalogs are golden because they showcase what kind of books each publisher sells and who was the editor and art director! Great for R&D.
|Example of another booth with receptionist at the front.|
Some booths actually WANTED to talk to illustrators and announced the days/times when they would be reviewing portfolios. I would circle them on the map and return later. However, there would always be a huge long line of illustrators waiting for a review, which seemed like a waste of time, so I never stood in line to get a review. Instead I just tried to approach people on my own - which actually worked (albeit rarely). Basically, I would catch someone's eye and smile (key component!) and say, "Hello! I'm an illustrator and I really like the books you publish. I was wondering if anyone was available to look at my portfolio?" I got lucky 5 times. Below are a few pics of some of the people who reviewed my portfolio.
So, overall it was a truly amazing experience (including the challenge of getting noticed by publishers). I have made friends around the world and my eyes have seen the diverse and yet unified expression of humanity portrayed in children's books. No matter the country, no matter the language barrier, the illustrations in children's books create a cultural bridge that connects us all to one another. I think attending an international fair like the Bologna Children's Book Fair is an exercise in empathy and a test of universal truths. I left the fair with a deeper understanding that there is one race and we all share the same experiences. It was a 4-day immersive study of each culture's world view. I found it to be utterly fascinating! It also made me recognize my world view and appreciate my cultural heritage and sense of "home".
Ok. So that's it for the Fair. I could go on and on for days about the city of Bologna. I spent about 3 days exploring this medieval city - it is awesome. If you decide to attend the Fair, be sure to make time for the city too. There's a lot to see and do. I visited all the historical sites, such as the churches and towers (climbing it was a bit freaky), went to the national museum which has a fabulous collection of medieval art, and took a tour of the art school next door. I ate pastries and pasta every chance I got. I even took a day trip to Florence, which is only 30 minutes south by train.
This is "tagliatelle all bolognese", which is simply pasta with meat sauce - only it's to die for.
As I mentioned, I took a little day trip to Florence (I LOVE FLORENCE. I've studied abroad there twice, have a large tapestry of the city hanging in my living room, and I even named my dog Florence). If you go to Bologna, try to squeeze in this city too. Most Fair attendees stayed in Bologna, but the one illustrator that I met, Andre Martini, actually stayed in Florence and took the train to the Fair each morning, which is a totally doable option. As for me, I decided to stay in Bologna and booked an apartment through AirBnB, which worked out great.
And for some closing thoughts, just for fun, here's a quick video clip of the city of Florence from the top of the duomo (aka Santa Maria Del Fiore cathedral). Thanks for reading!
Tuesday, March 8, 2016
Hey there! I wanted to share a new painting I made for a group show called "Time Machine" at The Hive Gallery in L.A. The inspiration behind this painting came from an article in the WSJ about the "Doomsday Clock". Apparently, this symbolic clock was created by scientists to represent how close we might be to global destruction. The closer the hand gets to midnight, the closer we are to catastrophe. Currently it is set at 3 minutes to midnight. Interesting!
My painting depicts Father Time creating a portal with his beard, into which he is summoning the children so they can turn back the hands of time and save the world.
I also made a black and white painting which shows the next scene inside the portal, where they discover Father Time's missing eyeballs (which of course are clocks!)